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Not suitable under 13; parental guidance to 15 (coarse language, themes)
This topic contains:
| Children under 13 | Not suitable due to coarse language and themes. |
| Children aged 13–15 | Parental guidance recommended due to coarse language and themes. |
| Children aged 16 and over | Ok for this age group. |
This section contains details about the movie, including its classification by the Australian Government Classification Board and the associated consumer advice lines. Other classification advice (OC) is provided where the Australian film classification is not available.
| Name of movie: | Finding Emily |
| Classification: | M |
| Consumer advice lines: | Coarse language |
| Length: | 111 minutes |
This review of the movie contains the following information:
Owen Brompton (Spike Fearn), a Mancunian sound engineer, meets a girl wearing fairy wings at the student bar he works at. He is smitten with her, learns her name is Emily (Sadie Soverall), and when she has to leave with her friends, Owen chases her down and she types her number into his phone. The next day, after trying to contact her, Owen realises that she missed a digit in her phone number. Desperate to track her down, Owen goes to her university, where he meets another Emily (Angourie Rice), a psychology student who, realising Owen is the perfect case study for her dissertation, says she will help him find his ‘Fairy Emily’. However, Emily decides to document the search for ‘Fairy Emily’ without Owen knowing. To boost Owen’s waning hope, and save her own research, Emily gives Owen the emails to all 318 Emilys in the university so he can send them a message. Unfortunately, Owen messages them all in a group email, rather than BCCing, and many of them are enraged by this invasion of privacy, calling him a creep and a stalker, among other things, without even knowing who he is. Dubbed the ‘email guy’, Owen decides to come out as the person who sent the email as it has made headlines around the university. On the Livestreamed University podcast Owen confesses that he hacked the email system (though he lies to cover for Emily), and he shares a song he wrote for the ‘Fairy Emily’. His genuineness wins many over and soon, everyone is searching for his Emily, but it all gets too much and, after losing his job, Owen is distraught.
Over the course of the search, Owen and Emily become very close but one day Owen gets a text from the real, ‘fairy’ Emily and they meet up, learning her name is actually Amelie. During the date, however, Owen realises the Emily he really wants to be with, so, after saying goodbye to Amelie, he goes to Emily's apartment. There, he sees all of Emily’s research with him as the case study and, stunned at the deceit and betrayal, he storms out. In the end, will Emily’s dissertation prove the futility of romantic attachment? Or, will love and romance prevail?
Children and adolescents may react adversely at different ages to themes of crime, suicide, drug and alcohol dependence, death, serious illness, family breakdown, death or separation from a parent, animal distress or cruelty to animals, children as victims, natural disasters and racism. Occasionally reviews may also signal themes that some parents may simply wish to know about.
Romance; University life; Drinking culture; Social media; Love; Deception; Self sabotage; Death of a parent.
Research shows that children are at risk of learning that violence is an acceptable means of conflict resolution when violence is glamourised, performed by an attractive hero, successful, has few real life consequences, is set in a comic context and / or is mostly perpetrated by male characters with female victims, or by one race against another.
Repeated exposure to violent content can reinforce the message that violence is an acceptable means of conflict resolution. Repeated exposure also increases the risks that children will become desensitised to the use of violence in real life or develop an exaggerated view about the prevalence and likelihood of violence in their own world.
There is some violence in this movie, including:
Children under five are most likely to be frightened by scary visual images, such as monsters, physical transformations.
Children aged five to eight will also be frightened by scary visual images and will also be disturbed by depictions of the death of a parent, a child abandoned or separated from parents, children or animals being hurt or threatened and / or natural disasters.
In addition to the above-mentioned violent scenes and scary visual images, there are some scenes in this movie that could scare or disturb children aged five to eight, including the following:
Children aged eight to thirteen are most likely to be frightened by realistic threats and dangers, violence or threat of violence and / or stories in which children are hurt or threatened.
In addition to the above-mentioned violent scenes, there are some scenes in this movie that could scare or disturb children aged eight to thirteen, including the following:
Children over the age of thirteen are most likely to be frightened by realistic physical harm or threats, molestation or sexual assault and / or threats from aliens or the occult.
The following products are displayed or used in this movie:
There are some sexual references in this movie, including:
There is some nudity and sexual activity in this movie, including:
There is some use of substances in this movie, including:
There is some coarse language in this movie, including:
Finding Emily is a warm-hearted romcom, set in a university campus in Manchester. Featuring a stand-out performance by Australian actress, Angourie Rice, the film highlights the value of meaningful, albeit often messy, connections. The film is likely to appeal to Gen-Z and millennial audiences, as well as lovers of romcoms. Due to the coarse language and themes, it is best suited to ages 16 and up, with parental guidance for ages 13 to 15.
The main messages from this movie are that love is not necessarily logical, it can be messy and irrational but definitely worth the risk; and that being authentic and genuine can win through the falseness of a polished performance, such as how many people portray themselves on social media.
Values in this movie that parents may wish to reinforce with their children include:
This movie could also give parents the opportunity to discuss with their children attitudes and behaviours, and their real-life consequences, such as:
Tip: Leave out the first A, An or The
Selecting an age will provide a list of movies with content suitable for this age group. Children may also enjoy movies selected via a lower age.
Content is age appropriate for children this age
Some content may not be appropriate for children this age. Parental guidance recommended
Content is not age appropriate for children this age
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ABN: 16 005 214 531